此刻的序章 

藝術家聯展 : 蔡正一｜戴明德｜葉子揚｜玉分昭光｜喬伊·穆魯加維勒｜郭書瑜｜

立春之後，新的循環開始。《此刻的序章》作為凡亞藝術空間新年度的第一檔展覽，邀請六位藝術家在同一時間、同一空間中呈現各自的創作。展覽從一個開放的狀態出發，讓作品先行進入空間，陪伴新的年度慢慢展開。 本次展覽涵蓋版畫、油畫與雕塑。這些作品來自不同的創作脈絡，有的在日常中慢慢成形，有的來自對生活片段的觀察與想像，也有的回應社會、土地與人所處的位置。它們各自安放在空間之中，不被要求對齊立場，也不需要被放進同一種語言裡，而是在彼此相鄰的狀態下，共同構成展覽的樣貌。 六位藝術家來自不同世代，創作的節奏與關注點各不相同。有人以幽默回應生命的重量，有人透過描繪人物與日常，反覆確認自身的位置，也有人長期關注地方經驗與社會現實，讓作品承載時間與記憶。這些創作在展場中相遇，形成一種自然的並置關係，使空間保留開放與彈性。 《此刻的序章》並不預設觀眾該如何理解作品，也不急著給出方向。觀眾可以隨意地走進空間，在不同作品之間停留、移動，或只是靜靜地感受作品帶來的氣氛。這樣的相遇，本身就是展覽希望留下的片刻。 在新的一年剛開始之際，《此刻的序章》選擇放慢腳步，讓創作與人同時站在起點上。此刻，是一個輕輕開始的時候。

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Prologue of the Present

Exhibiting Artists: Tsai Cheng-I｜Tai Ming-Te｜Yeh Vincent ｜Akimitsu Tamawake｜Joi Murugavell｜Kuo Shu-Yu｜

With the arrival of Lunar New Year—the beginning of spring—a new cycle quietly unfolds. Prologue of the Present, the first exhibition of the year at Fun Year Art Gallery, brings together six artists to present their works within a shared time and space. The exhibition begins from an open state, allowing the works to enter the space first and accompany the gradual unfolding of the new year. Featuring prints, oil paintings, and sculpture, the exhibition brings together works from diverse creative trajectories. Some take shape slowly through everyday experience, others emerge from close observation and imagination, while some respond to society, land, and the positions people inhabit. Rather than being aligned under a single perspective or unified language, the works are placed side by side, forming the exhibition through their quiet coexistence. The six participating artists come from different generations, each working with distinct rhythms and concerns. Some approach the weight of life with humor; others repeatedly return to figures and daily scenes to locate themselves within the world; still others focus on local experience and social realities, allowing their works to carry time and memory. Their encounter within the exhibition space creates a natural juxtaposition, preserving openness and flexibility throughout the gallery. Prologue of the Present does not prescribe how the works should be understood, nor does it rush to provide direction. Visitors are free to move through the space at their own pace—pausing, passing, or simply spending time with the atmosphere the works create. This quiet encounter is, in itself, what the exhibition hopes to offer. At the very beginning of a new year, Prologue of the Present chooses to slow down, allowing both creation and viewers to stand together at the starting point. This moment is not about answers, but about a gentle beginning.

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