凡亞藝術空間在2010年台北國際藝術博覽會將推出在畫壇已享盛名、實力備受肯定的四位畫家：陳銀輝、紀宗仁、蔡正一、廖本生。

陳銀輝教授／師大美術系教授退休，畫藝早就獲得藝壇肯定的中堅輩畫家。在傳統與創新力求平衡之下，理性的造形、主觀的色彩營運出浪漫、夢幻之情境，其畫風是畫壇耳熟能詳的，並影響台灣畫壇甚巨的一位重量級畫家。

紀宗仁／國立藝專畢業，是中部難得造形色彩兼具的實力派畫家，雖然出道稍晚，但實力在短短十年間，已為畫壇在所肯定。在點、線、面的運用，虛實空間，把玩得心應手，之間張力十足，令畫壇所矚目。

蔡正一／師大美術系畢業，堪稱畫壇老生，人生歷練甚多，繁瑣之間，把玩色彩、造形，樂此不疲。堅實的學院派底子，讓他在形、色之間，遊刃有餘，由具象而心象、抽象。一路走來，行色自若。已立下自己的清楚風格，未來仍歡喜把玩形色於人間。

廖本生／國立藝專畢業，根基實，才氣高。一路走來，深入淺出，風格十八變，「變」是他的風格。近期一改油畫厚塗之規範，改為近似潑墨的渲染式的畫法，企圖將西方油畫及中國情的筆意相互融合，頗具新意。

Fun Year Art Gallery has been established for a decade. We pride ourselves for our excellent and professional services, the dedication to promote Taiwanese contemporary arts, and positive recognition from both peers and collectors. Upon entering the second decade of services, we will be showcasing four renowned artists at the Art Taipei 2010, who all have achieved top recognition for their arts: Chen Yin-Huei, Chi Tsung-Jen, Tsai Cheng-I, and Liao Pen-Shen.

Chen Yin-Huei, who graduated from National Taiwan Normal University, Department of Fine Arts, was also known as the second generation master of arts. Seeking balance between traditions and innovations, the conscious forms and subjective colors constructed romantic and dreamlike atmosphere. He is a master who has great influence over the Taiwanese field of arts.

Chi Tsung-Jen, who graduated form National Taiwan University of Arts, is a rare Central Taiwan artist who specializes in form and color. Although he had his debut rather late, his talent has already being recognized by peers in just ten short years.

Tsai Cheng-I, who graduated from National Taiwan Normal University, Department of Fine Arts, is an old face known as the Versatile Man in Art Field. With all kinds of complicated life experiences and solid foundation of academic training, he never gets tired of playing with colors and forms. From figurative to abstract, the journey was like fish in water, all natural to him.

Liao Pen-Shen, who graduated form National Taiwan University of Arts, was known as the Amoeba of Arts who has developed more than a dozen styles throughout his career as artist. Recently, he has attempted to merge the western oil paint and the strokes of Chinese sentiment by using the splash-ink painting technique often seen in Chinese ink and wash paintings. His attempt, consented by fellow peers, was quite innovated.